Have you ever wanted to learn to play the guitar? Every person who has ever enjoyed music has at some point in time wanted to learn to play the guitar. With some of the best guitarists in the country coming from Pune, the city offers a plethora of guitar teachers.
Pune Site brings you a list of some of the city’s own guitar tutors.
If you have a guitar teacher you’d like to have listed here or are one yourself, please contact us and we’ll list your entry immediately.
Guitar Teachers in Pune
- Silveira’s Guitar Academy
A-1 323 Aashiyana Park
Koregaon Park
Pune-411001
Phone: 020-25813930, 26816347 - Institute Of Modern Music
1010 Deep Bungalow Model Colony
Pune-411016
Phone: 020-25652336 - ElectroWorld Guitar Classes
Shop 16 Anupam Complex
Kothrud Opp Kothrud Bus Stand
Pune-411029
Phone: 020-25437563 - Musico Guitar Institute – Mr. Nitin Kulkarni
Deccam Cprmer, Chalukya Hotel Lane
Phone: 9823033263 - Mr. Alok Kulkarni
“Poorva Hieights”, Building C, Flat No:104, Pashan – Sus Road, Pune – 21, Ahead of Cosmos bank, Near Institute of Virology.
Phone: 9850120012 - Spanish Guitar Classes – Mr. Arin Dubey
Viman Nagar, Pune
Phone: 9850086822 - Wayne Hu
Karvenagar, Near Foodworld.
Phone: 9850422983 - Mr. Anwilkar
Flat no 132,, Bldg no 11,
Post & Telegraph Colonly (Near Mahavir Pratishthan),
Gultekdi
Phone: 24228000 - Mr. Chris
Fatimanagar
No. 9823133670 - Mr. Sanjeet
Phone: 9823396310 - A. Mendhi
Phone: 922408432
Email: a.mendhi@gmail.com
Mainly focus on theory and take individual classes. - Harmony Institute of Music (Upendra Laxmeshwar)
Phone: 9422031909
They have two branches. One at Panchavati, Pashan Road and the second at Patwardhan Baug, Karve Nagar.
Lets hope that you get your guitar teacher which you are looking from long. If you know any guitar teacher which is not mentioned here, please add them through the comments section.
Also, if you have learned guitar from somebody as a student, please help others by telling how the teacher was. Did you enjoy your learning? Let others know, so they can decide as well and can make the right choice selecting their new guitar teacher in Pune.
Also see:
August 28th, 2008 at 10:23 pm
Great information.I think this guitar academies are best academies in India.There are many ways to learn to play the guitar but one of the easiest and fastest is with the help of mentors.
November 6th, 2008 at 6:19 am
Friends,
I know a very fast guitar teacher in pune near aundh area whose batch timing, fees structure and teaching strategy are different from other music classes and are very comfortable for IT professionals or candidates who are lacking of time. He knows all type of music notations (Indian, Western, TAB, Music Staff).
I started to learn guitar as a beginner in last July and performed last week in my college programs independently and with confidence….!!! I can never forget this pleasure what I achieved first time on stage. Now I am able to play any random song I listen with timing and music professional.
I really suggest you all to check with this person at least once because he is only the person who knows your need and can teach you in very short timing if you are really keen to learn music.
If you feel your music teacher is very slow then just go there and check with this person and put up all your doubts related to music.
His name is Chandan Saxena and you can contact him at 9960672319.
-Ruchika
November 15th, 2008 at 11:31 pm
Friends,
I want to share my personal experience about various MUSIC CLASSES in pune
I went to 2-3 Music Classes for 1 or 2 months but after leaving those classes I found that I could play only three to four songs whatever my previous teacher put in my note book but in reality, I knew nothing to play on guitar and was dependent on my note book while I had so many classes and wasted a lot of time.
After a long time, one of my friend advised me to visit a class located at Aundh-Khadki road and he gave me very good feed back of that class.
I checked with the person (Chandan Saxena) who conducted the class there. He gave me a demonstration with guitar and told me about music and the way to learn guitar. He also told me about the different-2 learning areas in guitar and time required to learn them. He checked my music skills (Vocal sound and Rhythm) and then assured me to make a professional in very short timing.
He is a Software Engg but conducting music classes only for those people who have passion about music but didn’t have time & source to learn in short duration. I joined him in mid of Aug-08 and started from scratch and now I am able to play any random song with the timing and magic of profession. I am very happy and satisfied with my current performance and now I feel I need no more teachers in my life. He gave me direction to learn what other couldn’t.
I suggest you all, if your music class is Slow or Directionless and if you need such a good music teacher for synthesizer or guitar.
Just contact chandan at 9960672319 and check with him your doubts, query or problems about to learn Guitar/Synthesizer if you have. You’ll definitely satisfied after his demonstration but meet him at-least once to know more music.
- Rahul Sharma (Infosys)
December 9th, 2008 at 9:20 am
Hello,
Does anyone know of any great acoustic guitar teachers outside of Pune? Northern India?
Please email me if you know.
Warmly,
Todd
February 25th, 2009 at 12:37 am
Can any one tell me guitar classes newr to karve nagar.
Thanks in advance.
Chandra
09049485891
March 9th, 2009 at 8:13 am
i am Bobby a fiji born indian but resided in newzealand from last 10 years. i am looking for a guitar teacher to teach young and old indians guitar. if you are intrested to migrate to newzealand or work. please contact me urgently you can contact me on 0064274319665. thanks
March 21st, 2009 at 11:47 pm
Hi Rahul,
I am interested in learning guitar and tried Chandan’s mobile but its not reachable. Has he changed his number or what ?
Please post his current mobile number.
Thanks,
Vineet
March 22nd, 2009 at 2:05 am
Friends,
Chandan sir is using same mobile no (9960672319).If he seems out of coverage area u may drop a SMS and u may also give him my reference.
And one more thing I want to share with u all as I inquired more than 4-5 classes and at last I joined Chandan Sir,his classes are very comfortable and flexible for we (IT-Professionals)and teaching strategy is amazing……..!!!
plz go there at once and Rock on..!!
March 28th, 2009 at 9:45 pm
Hey I am interested in learning guitar/synthesizer. I stay in Magarpatta City. Can anyone let me know some good tutor around magapataa or the one who gives how tutions of the same.
Thanks & Regards
Krishn (TCS)
9011038321
April 17th, 2009 at 1:23 am
I would like 2 recommend a guitar as well as piano teacher.Mr. Samson manuel runs Rebecca Music Academy.Tatyatope society 2,Bunglow no.4 near kedari garden fatimanagar.If interested please contact. 020-26816555 or 9890067475 or 9049038764.
April 20th, 2009 at 8:19 pm
Friends,
I know a very fast and nice guitar teacher whose class structure is very flexible and comfortable for IT-Professionals or working persons and his teaching strategy is amazing…..!!
As you all know that we all are very irregular person in our life and we can’t continue any of class more than 2-3 months and we want maximum output within very short duration.
Last year I joined 3 classes in Camp, Kalyani Nagar and Fatima Nagar but due to busy schedule I left those classes after 2-3 months. In each class I got bore, achieved nothing and lost a lot of time.
I was really keen to learn music on guitar but as per our profession I couldn’t continue any class more than 3 months and another thing I observed in previous classes was that, I felt uncomfortable with those classes the reason being that those music teacher used to take around 25-50 Students in every batch and couldn’t give personal attention on my progress, due to this reason only I got bore in all previous classes and after some time I got busy and left those classes.
But one thing I observed in those teachers was that, although they were very professional but they were even more professional in earning and used very impolite words during the teaching.
After some time I searched through google about fast guitar teacher in pune and got some review comments about Chandan Saxena who conducts Guitar & Synthesizer classes near Aundh, then I just dialed his no and went for demonstration class.
I have no words to describe my experience of seeing that demonstration with guitar and his teaching way. The most surprising thing was, Chandan Sir is also a IT-professional and still he is taking music class from more than 16 years. He understands our actual need, limitations and our busy schedule.
I was quite impressed to see his demonstration and teaching strategy which was totally different from other music classes.
I decided to join this class, because this class was very flexible and comfortable for me because this class is being conducted by an IT-professional.
I joined this class on last week of Dec-08 and till Feb end I could search any random song on guitar without any help. Now I am very thankful to Chandan Sir, for giving me direction through which my dream can true in 2 months only.
I recommend you all to check with Chandan Sir at once if you really want to know music, whether you going somewhere else to learn music or not.
Just call Chandan Sir at 9960672319 to inquire more about music and you may also give him my reference…
Just go there and Rock On…..!!
- Rashmi
April 22nd, 2009 at 9:58 pm
Visit us!
April 24th, 2009 at 5:30 am
Hello,
This Chandan guy seems so fake. It seems tht he’s gone through the trouble of creating fake names and experiences. The facts:
1) All his students’ names start with an R
2) It seems as if the same person has written all the 3 comments
3) Even their problems are similar
Mr. Chandan, PLS dont take us, the “NON-IT” populace to be fools
THIS IS A FORUM FOR GENUINE DISSEMINATION OF INFO.
April 24th, 2009 at 8:18 am
Hi Sleuth,
Your opinion is respcted and sure you are free to express it. But please have little more discretion while expressing it.
May 17th, 2009 at 5:13 am
Hi,
If you are looking for a brilliant Guitarist(15yrs experience in Guitar) and
an experienced tutor who can teach you right from the very basics of holding
the Guitar to technically challenging Guitar lessons drop me a line. Lessons
are suitable for Beginners,Intermediate & Advanced level students. The styles
covered are Rock, Metal,Funk, Pop for Both English n Hindi. Call me and book
your lesson, Special lessons On NIRVANA, Guns N’ Roses, AC/DC,
BRYAN ADAM, EAGLES,DIRE STRAITS, Hindi Pop, Hindi Rock, soft, Melody and Many
More.
***
Zakaria’s Guitar Classes
Fastest Guitar Teaching in Pune.
Learn as more as u can within the shortest time.
Class timing: Twice a week 5pm to 7 pm
Best For Working people.
Contact Person : Abu Zakaria,
Contact Number: 9970294262
Pune, Maharashtra.
-Joshua
May 26th, 2009 at 4:17 am
I think same person is writing the comments with different names regarding Mr. Chandan Saxena.
Please dont do this ,Please comment genuine comments so that it will guide us.
May 28th, 2009 at 12:55 am
Hi,
Dis Abu Zakaria,
I dont know A Chandan or anyone….
I am a learned teacher…
I believe in true teaching…
I dont trap people..
U may misunderstand….
do meet me….
Then you will know who am i..
Take care !!!!
July 2nd, 2009 at 12:36 am
do you have any guitar class in kothrud depo area, if yes then call me on mobile – 9850172575.
July 16th, 2009 at 10:43 pm
Hey Rahul..
That was useful.. but not so enough though!!
I stay in Viman Nagar.. n so I tried Mr. Arin Dubey’s cell number for learning guitar..
I cut it.. I got disappointed coz the number isn’t in service…
Can you temme if you have a latest number of anyone near by Viman nagar.. whom I can reach to learn guitar??
July 17th, 2009 at 11:23 am
Zakaria’s Guitar Classes
Fastest Guitar Teaching in Pune.
Learn as more as u can within the shortest time.
Class timing: Twice a week 5pm to 7 pm
Best For Working people.
Contact Person : Abu Zakaria,
Contact Number: 9970294262
Pune, Maharashtra.
August 11th, 2009 at 1:04 pm
hie…m a stud f mit..looking fr a guitar teacher wid skilled knowledge of music,want 2 learm guitar wid basic knowledge of music.nt interested in just muggin up d tabs.would b gr8 if its in kothrud.
kindly reply 2 mi post if der iz any..
August 14th, 2009 at 2:34 am
Waves Music Academy
Guitar classes from basic to advance..weekend batches available, flexible timings.
add: – B-4/21, VIMAL VIHAR, OPP. BIBWEWADI POLICE STATION, PUNE-411037
CONTACT – 9850975614
August 17th, 2009 at 11:23 am
i can teach guitar at a students residence in viman nagar. 9890744037
August 24th, 2009 at 4:49 am
Hey Kartik,
Thanks a bunch for the reply.
So far i don’t own a place in viman nagar (staying as a PG, where visitors aren’t allowed), so do you have any onging batch (or planning to have one) in viman nagar where in I would be able to join immediately?
Your help is more than appreciated.
August 24th, 2009 at 8:17 am
iam looking for a bassist , lead guitarist n key-board player for my band. iam a classical singer, we r having drummer, but need above artists.
August 24th, 2009 at 8:19 am
plz cont. 9975159682 e-mail me on my mail id
August 25th, 2009 at 2:42 am
ajinkya, do u have a female singer, or by chance ur band wants one?
September 7th, 2009 at 3:59 am
plz if any1 knows abt a genuine nice guitar teacher near aundh wakad palce….do reply.
September 7th, 2009 at 5:16 am
Please let me know if we have any good guitar teacher in Sangvi or Aundh.
call me on 9689983874
September 16th, 2009 at 1:57 am
Hi I want Guitar Classes in koregaon Park, If anyone knows about a gud Teacher!
October 17th, 2009 at 9:36 am
– comment deleted by admin on request –
October 20th, 2009 at 6:35 am
don’t learn guitar O’wise you would also become a tutor
lol
October 20th, 2009 at 9:32 am
hello vaishnavi y am tutor!!
i think u already learned guitar ………….
i want to know plz give me sme information abt same////////
November 3rd, 2009 at 4:59 am
Is any body know good guitar teacher near vanaz, kothrud pls contact 9579654219
November 3rd, 2009 at 10:14 pm
Dear All,
I’d like to thank you for your trust and support in Highway 61 – The Music School. And as promised, I’m pleased to bring to your notice that we have now started drums training too. Highlights being:
_________________________________________________________
Highway 61
The Music School
Quality training:
- The center has been established with the motive of providing quality music training.
- Individual attention and focus on concepts (theory and playability).
- Training is provided in guitars and drums.
- Hand picked teachers with relevant performance and teaching experience.
Guitar Training:
- As a quality policy, student teacher ratio never exceeds 3:1.
- Teachers qualified under Trinity School of Music, London.
- Various specialization modules available, customized to students level and target.
Drums Training:
- We admit only one student per class, i.e. a one-on-one training.
- Hands-on training: students will be provided with their own dedicated drum kit in class.
- Training under a highly reputed percussionist from Pune.
Structured approach:
- Each student coming to the school will be counseled to a training program based on his/her existing skill level. Down the line, he/she can opt for genre specific training too.
- Training is structured in modules of 12 weeks each.
Contact:
Venue: H61 Studio, Basement Baskin Robins, Near Hotel Green Park, Baner Road, Pune
Guitars Contact: +91 9922408432 | a.mendhi@gmail.com
Drums Contact: +91 9689098269 | anantjemail@gmail.com
_________________________________________________________
November 26th, 2009 at 11:56 pm
You can contact Mr.Sandip Patankar’s institute, India Art Gallery
Opposite to : V. K. Patil Memorial School
It is just 5 mints walk from the Passport office towards Patrakar Nagar at S.B. Road, Pune-16
December 2nd, 2009 at 7:33 am
hi,,, jst i want 2 knw… abt chanda sir,, address…where is classes…
December 17th, 2009 at 12:00 am
hi, I am Arvind. I am in VIMAN NAGAR. I want to learn Guitar. If there are any calsses for GUITAR,PLease let me know.My moblie 9960335446
January 11th, 2010 at 2:29 am
Hi. I am a 16 year old guy. I am crazy and passionate about music and i play the guitar. i want to form a band and i’m looking for members who are interested and good at their instruments. I sing and also write lyrics well, so we don’t require a lead singer. what we need is a drummer, a bass guitarist, a rythm guitarist and another assist lead guitarist if possible. We’ll have our 1st show as soon as we’re ready and i have already found a sponsor for it. Please let anyone interested know about this. Thanks. My contact number is +919579785589.
January 22nd, 2010 at 10:54 am
Hey,i am searchin for a well trained guitar tutor near karve nagar and kothrud…ne1 can help
January 25th, 2010 at 1:06 am
Hi,
Now learn guitar at your home, as per your convinient timings and with affordable fees , anywhere in pune city.
contact -9850975614
January 28th, 2010 at 7:53 am
Hi All,
Is there any good Guitar teacher in Bavdhan area.If anybody knows,plzzz do let me know on +91-9765801194.
February 3rd, 2010 at 12:17 am
Hello to All Aspiring Guitarists:
For Beginner and Intermediate level Acoustic and Electric Guitar lessons in and around Koregaon Park area, Call me on +91 – 80555 91199 (mobile).
February 5th, 2010 at 5:00 pm
want to learn Bagpiper is there a class for it in Pune.
Please call: 9766124760
February 11th, 2010 at 12:07 am
Hi
If you are interested in learning the guitar, look no further. Expert tutoring available just a call away @ 9689153282. Can teach any style from acoustic to folk , jazz , fusion , rock. Private as well as batch tutoring available. Just call 9689153282 for a new rocker U !
February 22nd, 2010 at 6:55 am
I want to know about this Patankar Institute on SB road…….
February 22nd, 2010 at 9:29 pm
Hey Friends,
I had joined Dev’s acedemy for DRUMS and believe me my 3500 Rs were just washed away without even using it.
They are the worst teachers of DRUMS…
They ask you to pay all in advance and we have to share the electronic drum kit and the sir also teaches so slow and you have to wait until your turn comes.
For all you DRUM lovers, please DO NOT Join Dev’s Academy near City Pride Kothrud…
Very bad!!!!
March 9th, 2010 at 9:45 pm
Please suggest me a good place 2 learn guitar….i stay in pimple saudagar…want d place 2 b sumwehere in pimple or aundh…pls reply or contact 9765366605
March 24th, 2010 at 9:35 pm
i have more than 100 gitares if anybody is interested pl call me 02027030002 or 09822018047
April 12th, 2010 at 1:44 am
Hi,
I stay at Padmavati, pune satara road
i want to learn guitar, if anaybody having teaching outlet nearby plz let me know.
April 12th, 2010 at 3:15 am
Hi i want to learn guitar,i live in aundh
9975474545
arpit.zeus@gmail.com
April 17th, 2010 at 10:49 pm
@Rahul & Rashmi : Chandan sir’s number seems too be not existing, please post if any other way to contact him..
Thnaks
Dev
9545218741
April 19th, 2010 at 10:16 pm
Dev, are you talking about chandan saxena?
I heard he is really a bad guitar teacher
he also did post lots of spam messages by different id (Rahul sharma, Rashmi Gupta etc, swar-udgam.blogspot.com)
if its same chandan saxena, can you please ask that guy to post some of his best performance video’s on youtube and post link here, that way we can understand if he really is good teacher or not.
if he cant do this, he doesnt deserve to put any advertise here or anywhere.
I have seen so many guitar teachers taking lots of money and fooling people and teach nothing. Saraswati (The Goddess of Vidya) may never forgive such fools.
- abhipendse
April 21st, 2010 at 10:23 am
Thanks Abby…
May 2nd, 2010 at 1:04 am
hey i badly want to learn guitar(western music) i want a class which is worth joing learn more in less time and affordable someone who really cares abt music pls any suggestions
May 6th, 2010 at 11:53 pm
Dear all,
This forum is excellent & cud gather lotsa info!
Would appreciate if some1 helps ths Guitar freak wid a teacher around Fatima Nagar/Wanowri area…
Rock ON!!!
May 10th, 2010 at 11:16 pm
deeps guitar freak
contact Chris for guitar classes, he is best person to learn guitar from.
9823133670
May 11th, 2010 at 4:51 am
Abby, Tnx a lot buddy, I already met him… Impressive! would be joining… Do ya belong 2 his class perhaps?
Rock ON!!
May 11th, 2010 at 6:16 am
hi deeps
yes I attendted his class, for more than a month. I am working guy. I got into so much work in my goddamn company, I couldnt manage to go to his class. I stay at Kharadi. if someone is interested in learning drums, I know a very authentic person, I am not sure whether he conducts classes now. but its always good to ask.
his name is Jack – 9373313405
May 12th, 2010 at 3:12 am
@ abby & Deep,
It there any youtube videos post by Chris ?
DEV
May 14th, 2010 at 5:19 am
@Dev
I am not aware of any videos Chris sir put on youtube. but as far as really excellent guitar guru from beginner to expert guitar player, Chris sir is one of the best. do visit him once for sure. he is TRUE guitar guru.
- abby
ps – Dev, btw do you have any updates with this forum’s spammer chandan saxena? i am still waiting for his videos. did you already meet him? is he any good @ guitar?
May 16th, 2010 at 11:48 am
hi friends i also tried my hands on guitar for more than one year but now days i ma buzzy with my job so i am unble to attend guitar class i learn basic guitar from my guru Jatin his is rocking dude on guitar if u want to learn guitar fully you can contact him his no is 9860054500 jatin lakhamade @ Sadashiv peth city area, you can also contact him on orkut check his profile id is (mtvjatin@yahoo.com)
May 16th, 2010 at 11:50 am
thanks to other music lovers for this information keep this place rocking….
June 8th, 2010 at 8:23 am
GUITAR CLUB at NIBM Road Kondhwa and DIVINE MUSIC at Camp, Musical Instruments Store and Guitar, Keyboard and Drums Training, Mobile: +91 9860985444
June 9th, 2010 at 4:32 am
This is Anand.. Guitarist, Performer and Teacher from Bangalore. I take in very limited students and all classes will be one on one only. I take in only people with genuine passion for music. If you are looking for casual hobby classes, please excuse. I teach Acousic, Electric Guitar, all levels, in the styles of Rock, Pop, Blues, Funk, etc. If anybody is interested, call me at 89834 08864.
June 10th, 2010 at 8:22 pm
Hello All…
I stay in Vishal nagar and I am really looking for a nice guitar class which can get me good outputs. I used to play guitar in College but after my Job… I never get time, now I have managed some time from Office and really hunting for a nice place nearby. As i Dont have a vehicle in Pune so I need a place which is nearby Jagtap Dairy or Pimple Saudagar so that I can go by Auto… If anyone knows, please let me know…
June 21st, 2010 at 4:31 am
I want to learn Guitar, I am very passionate about music, Please let me know any good Guitar class in Viman nagar, Chandan nagar, Kharadi , Mundhawa,Kalyani Nagar.
I am eagerly waiting for a reply.
June 22nd, 2010 at 12:25 am
Dear friends,
We are a very reputed music institute, training students since last 5 (five) Years.
In order to provide services in more improved & better way to all the students, we are looking for guitar teacher/s for teaching guitar from basic to advance levels.
Interested person can contact Niraj 9850975614 or mail us at nirajnmodi@gmail.com.
June 22nd, 2010 at 12:27 am
WAVES MUSIC ACADEMY
Dear friends,
We are a very reputed music institute, training students since last 5 (five) Years.
In order to provide services in more improved & better way to all the students, we are looking for guitar teacher/s for teaching guitar from basic to advance levels.
Interested person can contact WAVES MUSIC ACADEMY, Contact person- Niraj 98509 75614 or mail us at nirajnmodi@gmail.com.
June 26th, 2010 at 11:46 pm
Hi All,
I am interested in learning guitar, currently staying in Viman Nagar. Any good teachers available nearby ?
July 8th, 2010 at 12:27 am
This is Silveirasir from the SILVEIRA’S GUITAR Academy at Koregoan Park, North Main Road, Pune welcoming u. The academy has courses for Spanish, Classical n Jazz guitar for students 18 yrs n above.
*Classes r once a week for one hour duration on any day that suits u.
*You must have yr own guitar for yr daily practice at home.
*You must bring 300 pages single-lined book for Music Theory.
For further enquires about the course, Fees, timings of class pl ring me on 9822955416 immediately as the admission will be closed on getting the required number of students.
Bye n all the best!!
SILVEIRAsir
July 19th, 2010 at 1:59 am
this Chandan guy seems a real fake ………BEWARE >>>>
July 21st, 2010 at 9:13 am
It is my opinion diferrent because my family use another company.It’s secure and i love it’s very much.But next guitars I will consider this to be guitars stuffs that you just present.Appreciate!!!
July 21st, 2010 at 11:30 am
The guitar is a musical instrument of the chordophone family.
It’s a stringed instrument played by plucking, either with fingers or a pick. The guitar consists of a body with a rigid neck to which the strings, generally six in number but sometimes more, are attached. Guitars are traditionally constructed of various woods and strung with animal gut or, more recently, with either nylon or steel strings. Some modern guitars are made of polycarbonate materials. Guitars are made and repaired by luthiers. There are two primary families of guitars: acoustic and electric.
Acoustic guitars (and similar instruments) with hollow bodies, have been in use for over a thousand years. There are three main types of modern acoustic guitar: the classical guitar (nylon-string guitar), the steel-string acoustic guitar, and the archtop guitar. The tone of an acoustic guitar is produced by the vibration of the strings, which is amplified by the body of the guitar, which acts as a resonating chamber. The classical guitar is often played as a solo instrument using a comprehensive fingerpicking technique. Electric guitars, introduced in the 1930s, rely on an amplifier that can electronically manipulate tone. Early amplified guitars employed a hollow body, but a solid body was found more suitable. Electric guitars have had a continuing profound influence on popular culture. Guitars are recognized as a primary instrument in genres such as blues, bluegrass, country, flamenco, jazz, jota, mariachi, reggae, rock, soul, and many forms of pop.
Before the development of the electric guitar and the use of synthetic materials, a guitar was defined as being an instrument having “a long, fretted neck, flat wooden soundboard, ribs, and a flat back, most often with incurved sides”.[1] The term is used to refer to a number of related instruments that were developed and used across Europe beginning in the 12th century and, later, in the Americas.[2] These instruments are descended from ones that existed in ancient central Asia and India. For this reason guitars are distantly related to modern instruments from these regions, including the tanbur, the setar, and the sitar. The oldest known iconographic representation of an instrument displaying the essential features of a guitar is a 3,300 year old stone carving of a Hittite bard.[3]
The modern word “guitar”, and its antecedents, have been applied to a wide variety of cordophones since ancient times and as such is the cause of confusion. The English word “guitar”, the German “gitarre”, and the French “guitare”, were adopted from the Spanish guitarra,[4] which comes from the Andalusian Arabic qitara قيثارةر [5] itself derived from the Latin word cithara, which in turn came from the earlier Greek word kithara (κιθάρα),[6] a descendant of Old Persian sihtar ( سی تار) (Tar means string in Persian).[7]
Although the word guitar is descended from the Roman word cithara, the modern guitar itself is not generally believed to have descended from the roman instrument. Many influences are cited as antecedents to the modern guitar. One commonly cited influence is of the arrival of the four-string oud, which was introduced by the invading Moors in the 8th century.[8] Another suggested influence is the six-string Scandinavian lut (lute), which gained in popularity in areas of Viking incursions across medieval Europe. Often depicted in carvings c. 800 AD, the Norse hero Gunther (also known as Gunnar), played a lute with his toes as he lay dying in a snake-pit, in the legend of Siegfried.[9] It is likely that a combination of influences led to the creation of the guitar; plucked instruments from across the Mediterranean and Europe were well known in Iberia since antiquity.
July 21st, 2010 at 11:32 am
It’s a stringed instrument played by plucking, either with fingers or a pick. The guitar consists of a body with a rigid neck to which the strings, generally six in number but sometimes more, are attached. Guitars are traditionally constructed of various woods and strung with animal gut or, more recently, with either nylon or steel strings. Some modern guitars are made of polycarbonate materials. Guitars are made and repaired by luthiers. There are two primary families of guitars: acoustic and electric.
Acoustic guitars (and similar instruments) with hollow bodies, have been in use for over a thousand years. There are three main types of modern acoustic guitar: the classical guitar (nylon-string guitar), the steel-string acoustic guitar, and the archtop guitar. The tone of an acoustic guitar is produced by the vibration of the strings, which is amplified by the body of the guitar, which acts as a resonating chamber. The classical guitar is often played as a solo instrument using a comprehensive fingerpicking technique. Electric guitars, introduced in the 1930s, rely on an amplifier that can electronically manipulate tone. Early amplified guitars employed a hollow body, but a solid body was found more suitable. Electric guitars have had a continuing profound influence on popular culture. Guitars are recognized as a primary instrument in genres such as blues, bluegrass, country, flamenco, jazz, jota, mariachi, reggae, rock, soul, and many forms of pop.
Before the development of the electric guitar and the use of synthetic materials, a guitar was defined as being an instrument having “a long, fretted neck, flat wooden soundboard, ribs, and a flat back, most often with incurved sides”.[1] The term is used to refer to a number of related instruments that were developed and used across Europe beginning in the 12th century and, later, in the Americas.[2] These instruments are descended from ones that existed in ancient central Asia and India. For this reason guitars are distantly related to modern instruments from these regions, including the tanbur, the setar, and the sitar. The oldest known iconographic representation of an instrument displaying the essential features of a guitar is a 3,300 year old stone carving of a Hittite bard.[3]
The modern word “guitar”, and its antecedents, have been applied to a wide variety of cordophones since ancient times and as such is the cause of confusion. The English word “guitar”, the German “gitarre”, and the French “guitare”, were adopted from the Spanish guitarra,[4] which comes from the Andalusian Arabic qitara قيثارةر [5] itself derived from the Latin word cithara, which in turn came from the earlier Greek word kithara (κιθάρα),[6] a descendant of Old Persian sihtar ( سی تار) (Tar means string in Persian).[7]
Although the word guitar is descended from the Roman word cithara, the modern guitar itself is not generally believed to have descended from the roman instrument. Many influences are cited as antecedents to the modern guitar. One commonly cited influence is of the arrival of the four-string oud, which was introduced by the invading Moors in the 8th century.[8] Another suggested influence is the six-string Scandinavian lut (lute), which gained in popularity in areas of Viking incursions across medieval Europe. Often depicted in carvings c. 800 AD, the Norse hero Gunther (also known as Gunnar), played a lute with his toes as he lay dying in a snake-pit, in the legend of Siegfried.[9] It is likely that a combination of influences led to the creation of the guitar; plucked instruments from across the Mediterranean and Europe were well known in Iberia since antiquity.
July 21st, 2010 at 11:53 am
Can anyone help me to understand staff notations?
If any of you know about the sheet notation and different symbols, please help me understand it…!!
Please share your comments on this..!!
July 21st, 2010 at 12:00 pm
Snehal,
This is meaningless notation, I have spent lots of time to understand it but got nothing. Even no one can teach you this boring language.
I suggest you to go to TAB notation instead. this is very eassy to understand.
July 22nd, 2010 at 3:59 am
forgot to mention
I am available in Pune / Mumbai
July 22nd, 2010 at 11:22 am
Yes, I am agree with amit, Staff Notation is worthless.
As a beginner you can start with Indian notation ( Sa re ga ma..), Western Notation(Ab, A, Bb, B, C, C#…) or TAB.
If you want I can personally teach you how to play songs on these notations..!!
Abhipendse:- you can also try with these notations, I believe these are more comfortable than sheet notation.
July 26th, 2010 at 8:01 pm
Mohan,
I am agreed with your thoughts about music notations, If you don’t mind, can you teach me or give me some lessons using Indian notation whenever you are available.
July 27th, 2010 at 12:29 am
As a beginner, there is absolutely no need to learn sheet music/notations.
Start with some theory, chords and some major scales only.
You can then start TABLATURE to read guitar music, which is extremely simple. Do spend 5-10 minutes thereafter every day to get acquainted with sheet music if you desire to pursue music sincerely. From this point on, you won’t need any one’s advice, you can make your own judgments.
August 4th, 2010 at 11:23 pm
Which has more value in between SWAR & RHYTHM………??
Share your comments on this..!!
- Priyanka
August 21st, 2010 at 2:39 pm
My names is Vikas and I am looking for guitar and drums classes near pune station, deccan, shivajinagar. Please help.
August 23rd, 2010 at 5:54 am
hi friends, am new in pune and looking for good guitar class at viman nagar. i dont have any basic knowledge about any musical instruement. but i really want 2 learn guitar. if anybody knws abt good guitar class at viman nagar,plz inform me.
thank u.
August 29th, 2010 at 10:53 pm
It’s a stringed instrument played by plucking, either with fingers or a pick. The guitar consists of a body with a rigid neck to which the strings, generally six in number but sometimes more, are attached. Guitars are traditionally constructed of various woods and strung with animal gut or, more recently, with either nylon or steel strings. Some modern guitars are made of polycarbonate materials. Guitars are made and repaired by luthiers. There are two primary families of guitars: acoustic and electric.
Acoustic guitars (and similar instruments) with hollow bodies, have been in use for over a thousand years. There are three main types of modern acoustic guitar: the classical guitar (nylon-string guitar), the steel-string acoustic guitar, and the archtop guitar. The tone of an acoustic guitar is produced by the vibration of the strings, which is amplified by the body of the guitar, which acts as a resonating chamber. The classical guitar is often played as a solo instrument using a comprehensive fingerpicking technique. Electric guitars, introduced in the 1930s, rely on an amplifier that can electronically manipulate tone. Early amplified guitars employed a hollow body, but a solid body was found more suitable. Electric guitars have had a continuing profound influence on popular culture. Guitars are recognized as a primary instrument in genres such as blues, bluegrass, country, flamenco, jazz, jota, mariachi, reggae, rock, soul, and many forms of pop.
Before the development of the electric guitar and the use of synthetic materials, a guitar was defined as being an instrument having “a long, fretted neck, flat wooden soundboard, ribs, and a flat back, most often with incurved sides”.[1] The term is used to refer to a number of related instruments that were developed and used across Europe beginning in the 12th century and, later, in the Americas.[2] These instruments are descended from ones that existed in ancient central Asia and India. For this reason guitars are distantly related to modern instruments from these regions, including the tanbur, the setar, and the sitar. The oldest known iconographic representation of an instrument displaying the essential features of a guitar is a 3,300 year old stone carving of a Hittite bard.[3]
The modern word “guitar”, and its antecedents, have been applied to a wide variety of cordophones since ancient times and as such is the cause of confusion. The English word “guitar”, the German “gitarre”, and the French “guitare”, were adopted from the Spanish guitarra,[4] which comes from the Andalusian Arabic qitara قيثارةر [5] itself derived from the Latin word cithara, which in turn came from the earlier Greek word kithara (κιθάρα),[6] a descendant of Old Persian sihtar ( سی تار) (Tar means string in Persian).[7]
Although the word guitar is descended from the Roman word cithara, the modern guitar itself is not generally believed to have descended from the roman instrument. Many influences are cited as antecedents to the modern guitar. One commonly cited influence is of the arrival of the four-string oud, which was introduced by the invading Moors in the 8th century.[8] Another suggested influence is the six-string Scandinavian lut (lute), which gained in popularity in areas of Viking incursions across medieval Europe. Often depicted in carvings c. 800 AD, the Norse hero Gunther (also known as Gunnar), played a lute with his toes as he lay dying in a snake-pit, in the legend of Siegfried.[9] It is likely that a combination of influences led to the creation of the guitar; plucked instruments from across the Mediterranean and Europe were well known in Iberia since antiquity.
August 30th, 2010 at 1:10 am
I have found below classes in Aundh area from just dial website.
and I am going to check during 2 days which is better…
——————————————
Art For Fun Recreation HUB in Aundh
Ms Taruna Rathod(proprietor)
+(91)-20-66827040
C 9 SAI Heritage, Nr Medi Point Hospital, New D P Rd, Aundh, Pune – 411007
————
Govind Powale Sangeet Mandir in Aundh
Ms Smita Kharade
+(91)-(20)-25897549, 40056959
+(91)-9960025891
12 2nd Flr Disha Apt, Sanghvi Nagar Ishwar Motor Driving School, Aundh, Pune – 411007
————-
Omkar Naad Bramha Sangeet Vidhayalay in Aundh
Ms Achala Kotwal(proprietor)
+(91)-(20)-25880936
+(91)-9850985463
Avani Apt, Gaikwad Nagar, Aundh, Pune – 411007
————-
Saraswati Sangeet Vidyalaya in Aundh
Ms Reshmi Mukerjee(proprietor)
+(91)-(20)-25693116
+(91)-9422310785
29/5 Patil Complex, Ambedkar Chowk, Aundh Rd, Aundh, Pune – 411007
————–
Swarodgam Music Classes in Aundh
Mr Chandan Saxena
+(91)-9960672317
9960672319
C 501 Emerald Park, Opp To Sana Hotel Behind Mitcon Management Institute, Aundh Khadaki Road, Aundh, Pune – 411007
—————
Tejaswini Society, Near medipoint hospital, Aundh, Pune
Phone: 9823777051, Mobile: 9923742129
Category: Arts & Entertainment, Dance & Music Classes
Tags: Guitar, Synthesizer Classes
September 10th, 2010 at 4:43 am
hi, i am staying at sinhgad road. I want to learn guitar. i am searching guitar classes in sinhgad road.
September 16th, 2010 at 3:03 am
Hi all , can anyone please tell the guitar classes in Kothrud area …it will be better if it is addressed by whom ,having some learning experience . Please guys , dont give fake information..
September 17th, 2010 at 10:44 pm
Can any one refer for a gud ..experienced and easy to teach guitar tearcher in Viman Nagar / yerwada area..
Please contact me @ 7276261415
September 24th, 2010 at 10:48 am
Please contact 09860440583/09225533117 for more details.
October 1st, 2010 at 11:26 pm
WE OFFER GUITAR CLASSES AT OUR STUDIO IN KALYANI NAGAR (GOLD BIG CINEMAS) AS WELL AT OTHER CENTRES.
FOR ADMISSIONS AND ENQUIRY VISIT OUR STUDIO… OUR ADDRESS IS 2ND FLOOR, MARIPLEX MALL, GOLD BIG CINEMAS, KALYANI NAGAR, PUNE.
WE ALSO OFFER MANY OTHER MUSICAL INSTRUMENTS AND VARIOUS DANCE FORMS!
MUSIVERSITY
Unleashing Your spirit…
October 7th, 2010 at 9:14 am
The violin is a string instrument, usually with four strings tuned in perfect fifths. It is the smallest, highest-pitched member of the violin family of string instruments, which includes the viola and cello.
The violin is sometimes informally called a fiddle, regardless of the type of music played on it. The word violin comes from the Middle Latin word vitula, meaning stringed instrument;[1] this word is also believed to be the source of the Germanic “fiddle”.[2] The violin, while it has ancient origins, acquired most of its modern characteristics in 16th-century Italy, with some further modifications occurring in the 18th century. Violinists and collectors particularly prize the instruments made by the Gasparo da Salò, Giovanni Paolo Maggini, Stradivari, Guarneri and Amati families from the 16th to the 18th century in Brescia and Cremona and by Jacob Stainer in Austria. Great numbers of instruments have come from the hands of “lesser” makers, as well as still greater numbers of mass-produced commercial “trade violins” coming from cottage industries in places such as Saxony, Bohemia, and Mirecourt. Many of these trade instruments were formerly sold by Sears, Roebuck and Co. and other mass merchandisers.
A person who makes or repairs violins is called a luthier, or simply a violin maker. The parts of a violin are usually made from different types of wood (although electric violins may not be made of wood at all, since their sound may not be dependent on specific acoustic characteristics of the instrument’s construction), and it is usually strung with gut, nylon or other synthetic, or steel strings.
Someone who plays the violin is called a violinist or a fiddler. The violinist produces sound by drawing a bow across one or more strings (which may be stopped by the fingers of the other hand to produce a full range of pitches), by plucking the strings (with either hand), or by a variety of other techniques. The violin is played by musicians in a wide variety of musical genres, including Baroque music, classical, jazz, folk music, pop-punk and rock and roll. The violin has come to be played in many non-western music cultures all over the world.
October 7th, 2010 at 9:15 am
The earliest stringed instruments were mostly plucked (e.g. the Greek lyre). Bowed instruments may have originated in the equestrian cultures of Central Asia, an example being the Kobyz (Kazakh: қобыз) or kyl-kobyz is an ancient Turkic, Kazakh string instrument or Mongolian instrument Morin huur:
Turkic and Mongolian horsemen from Inner Asia were probably the world’s earliest fiddlers. Their two-stringed upright fiddles were strung with horsehair strings, played with horsehair bows, and often feature a carved horse’s head at the end of the neck. … The violins, violas, and cellos we play today, and whose bows are still strung with horsehair, are a legacy of the nomads.[3]
It is believed that these instruments eventually spread to China, India, the Byzantine Empire and the Middle East, where they developed into instruments such as the erhu in China, the rebab in the Middle East, the lyra in the Byzantine Empire and the esraj in India. The violin in its present form emerged in early 16th-Century Northern Italy, where the port towns of Venice and Genoa maintained extensive ties to central Asia through the trade routes of the silk road.
The modern European violin evolved from various bowed stringed instruments from the Middle East[4] and the Byzantine Empire.[5][6] Most likely the first makers of violins borrowed from three types of current instruments: the rebec, in use since the 10th century (itself derived from the Byzantine lyra[7] and the Arabic rebab), the Renaissance fiddle, and the lira da braccio[8] (derived[5] from the Byzantine lira). One of the earliest explicit descriptions of the instrument, including its tuning, was in the Epitome musical by Jambe de Fer, published in Lyon in 1556.[9] By this time, the violin had already begun to spread throughout Europe.
The oldest documented violin to have four strings, like the modern violin, is supposed to have been constructed in 1555 by Andrea Amati, but the date is very doubtful. (Other violins, documented significantly earlier, only had three strings and were called violetta.) The violin immediately became very popular, both among street musicians and the nobility, illustrated by the fact that the French king Charles IX ordered Amati to construct 24 violins for him in 1560.[10] The oldest surviving violin, dated inside, is from this set, and is known as the Charles IX, made in Cremona c. 1560. The finest Renaissance carved and decorated violin in the world is the Gasparo da Salò (1574 c.) owned by Ferdinand II, Archduke of Austria and later, from 1841, by the Norwegian virtuoso Ole Bull, who used it for forty years and thousands of concerts, for his very powerful and beautiful tone, similar to those of a Guarneri. It is now in the Vestlandske Kustindustrimuseum in Bergen (Norway). “The Messiah” or “Le Messie” (also known as the “Salabue”) made by Antonio Stradivari in 1716 remains pristine. It is now located in the Ashmolean Museum of Oxford.[11]
October 7th, 2010 at 9:15 am
A violin typically consists of a spruce top (the soundboard, also known as the top plate, table, or belly), maple ribs and back, two endblocks, a neck, a bridge, a soundpost, four strings, and various fittings, optionally including a chinrest, which may attach directly over, or to the left of, the tailpiece. A distinctive feature of a violin body is its hourglass-like shape and the arching of its top and back. The hourglass shape comprises two upper bouts, two lower bouts, and two concave C-bouts at the waist, providing clearance for the bow.
The voice of a violin depends on its shape, the wood it is made from, the graduation (the thickness profile) of both the top and back, and the varnish that coats its outside surface. The varnish and especially the wood continue to improve with age, making the fixed supply of old violins much sought-after.
The very great majority of glued joints in the instrument use animal hide glue for a number of reasons: it is capable of making a thinner joint than most other glues, it is reversible (brittle enough to crack with carefully applied force, and removable with warm water) when disassembly is needed, and since fresh hide glue sticks to old hide glue, more original wood can be preserved when repairing a joint. (More modern glues must be cleaned off entirely for the new joint to be sound, which generally involves scraping off some wood along with the old glue.) Weaker, diluted glue is usually used to fasten the top to the ribs, and the nut to the fingerboard, since common repairs involve removing these parts.
The purfling running around the edge of the spruce top provides some protection against cracks originating at the edge. It also allows the top to flex more independently of the rib structure. Painted-on faux purfling on the top is usually a sign of an inferior instrument. The back and ribs are typically made of maple, most often with a matching striped figure, referred to as flame, fiddleback, or tiger stripe.
The neck is usually maple with a flamed figure compatible with that of the ribs and back. It carries the fingerboard, typically made of ebony, but often some other wood stained or painted black. Ebony is the preferred material because of its hardness, beauty, and superior resistance to wear. Fingerboards are dressed to a particular transverse curve, and have a small lengthwise “scoop,” or concavity, slightly more pronounced on the lower strings, especially when meant for gut or synthetic strings.
Some old violins (and some made to appear old) have a grafted scroll, evidenced by a glue joint between the pegbox and neck. Many authentic old instruments have had their necks reset to a slightly increased angle, and lengthened by about a centimeter. The neck graft allows the original scroll to be kept with a Baroque violin when bringing its neck into conformance with modern standards.
October 10th, 2010 at 11:06 pm
hi All,
i want to learn Guitar,can anybody guide me,
i stay near senapati bapat road…..
If anyone is interested in giving lessons in this regard please
contact me at: 9765435246
or drop me a mail. at: uttam.deepak@gmail.com
October 18th, 2010 at 7:41 pm
It has been a good posting
October 20th, 2010 at 4:55 am
Hello Everybody
I am looking for guitar classes in Aundh. i stay near by Sony Center. Please inform me about a good Guitar teacher in Aundh.
October 26th, 2010 at 1:19 pm
Hi Frnds,
Im looking for a guitar tutor in hadapsar or nearby area if any one can help.
thanks in advance.
October 28th, 2010 at 12:30 am
Looking for a personal Synthesizer and Drums teacher for my daughter 6 yrs and myself at my residence in Pimple Saudagar area. Can be reached on 9545637474-
Anky
November 14th, 2010 at 4:49 am
Hello friends.
I want to learn guitar. Please inform me if you know about any guitar class in Aundh or Baner road.
@ Amol: Did you go to all the classes in aundh? Which class did you join?
Please reply.
Thanks in advance.
November 14th, 2010 at 12:04 pm
I stay in Aundh. I want to learn guitar from scratch. Can anyone suggest me good classes.
Thx in advance
December 5th, 2010 at 1:05 am
m startin my guitar classes from january most probably at karve nagar. earlier i used to run a guitar class in kalyani nagar. i m also open o home tutions.
contact:8446166140
December 10th, 2010 at 11:12 am
Hey all You Know….
It’s a stringed instrument played by plucking, either with fingers or a pick. The guitar consists of a body with a rigid neck to which the strings, generally six in number but sometimes more, are attached. Guitars are traditionally constructed of various woods and strung with animal gut or, more recently, with either nylon or steel strings. Some modern guitars are made of polycarbonate materials. Guitars are made and repaired by luthiers. There are two primary families of guitars: acoustic and electric.
Acoustic guitars (and similar instruments) with hollow bodies, have been in use for over a thousand years. There are three main types of modern acoustic guitar: the classical guitar (nylon-string guitar), the steel-string acoustic guitar, and the archtop guitar. The tone of an acoustic guitar is produced by the vibration of the strings, which is amplified by the body of the guitar, which acts as a resonating chamber. The classical guitar is often played as a solo instrument using a comprehensive fingerpicking technique. Electric guitars, introduced in the 1930s, rely on an amplifier that can electronically manipulate tone. Early amplified guitars employed a hollow body, but a solid body was found more suitable. Electric guitars have had a continuing profound influence on popular culture. Guitars are recognized as a primary instrument in genres such as blues, bluegrass, country, flamenco, jazz, jota, mariachi, reggae, rock, soul, and many forms of pop.
Before the development of the electric guitar and the use of synthetic materials, a guitar was defined as being an instrument having “a long, fretted neck, flat wooden soundboard, ribs, and a flat back, most often with incurved sides”.[1] The term is used to refer to a number of related instruments that were developed and used across Europe beginning in the 12th century and, later, in the Americas.[2] These instruments are descended from ones that existed in ancient central Asia and India. For this reason guitars are distantly related to modern instruments from these regions, including the tanbur, the setar, and the sitar. The oldest known iconographic representation of an instrument displaying the essential features of a guitar is a 3,300 year old stone carving of a Hittite bard.[3]
The modern word “guitar”, and its antecedents, have been applied to a wide variety of cordophones since ancient times and as such is the cause of confusion. The English word “guitar”, the German “gitarre”, and the French “guitare”, were adopted from the Spanish guitarra,[4] which comes from the Andalusian Arabic qitara قيثارةر [5] itself derived from the Latin word cithara, which in turn came from the earlier Greek word kithara (κιθάρα),[6] a descendant of Old Persian sihtar ( سی تار) (Tar means string in Persian).[7]
Although the word guitar is descended from the Roman word cithara, the modern guitar itself is not generally believed to have descended from the roman instrument. Many influences are cited as antecedents to the modern guitar. One commonly cited influence is of the arrival of the four-string oud, which was introduced by the invading Moors in the 8th century.[8] Another suggested influence is the six-string Scandinavian lut (lute), which gained in popularity in areas of Viking incursions across medieval Europe. Often depicted in carvings c. 800 AD, the Norse hero Gunther (also known as Gunnar), played a lute with his toes as he lay dying in a snake-pit, in the legend of Siegfried.[9] It is likely that a combination of influences led to the creation of the guitar; plucked instruments from across the Mediterranean and Europe were well known in Iberia since antiquity.
Bbye
December 10th, 2010 at 11:12 am
Before the development of the electric guitar and the use of synthetic materials, a guitar was defined as being an instrument having “a long, fretted neck, flat wooden soundboard, ribs, and a flat back, most often with incurved sides”.[1] The term is used to refer to a number of related instruments that were developed and used across Europe beginning in the 12th century and, later, in the Americas.[2] These instruments are descended from ones that existed in ancient central Asia and India. For this reason guitars are distantly related to modern instruments from these regions, including the tanbur, the setar, and the sitar. The oldest known iconographic representation of an instrument displaying the essential features of a guitar is a 3,300 year old stone carving of a Hittite bard.[3]
The modern word “guitar”, and its antecedents, have been applied to a wide variety of cordophones since ancient times and as such is the cause of confusion. The English word “guitar”, the German “gitarre”, and the French “guitare”, were adopted from the Spanish guitarra,[4] which comes from the Andalusian Arabic qitara قيثارةر [5] itself derived from the Latin word cithara, which in turn came from the earlier Greek word kithara (κιθάρα),[6] a descendant of Old Persian sihtar ( سی تار) (Tar means string in Persian).[7]
December 11th, 2010 at 1:25 am
I stay in Hadapsar. I want to learn guitar from scratch. Can anyone suggest me good classes.
Thx in advance.
December 29th, 2010 at 4:02 am
Guys , there is no one in this world who can teach you guitar in short time , if someone claims that please come and meet me . We owe a music academy for JAZZ, BLUES & ROCK , and pls do not come if think we can teach you in month. But yes we teach you the Physics of Guitar not just couple of Songs . U can reach us – 9822783519
January 13th, 2011 at 2:09 am
i stay in balewadi…cn u plse suggest any guitar classes in dat area..ib baner or balewadi..
January 13th, 2011 at 6:06 am
The Dholak (Punjabi: ਢੋਲਕੀ, Devnagari: ढोलक sometimes dholki or in Suriname & Holland dhool) is a North Indian, Pakistani and Nepalese double-headed hand-drum Madal. The name Dholki may also refer to a slightly different instrument that uses highpitch tabla style syahi masala on its treble skin. This instrument is also known as Naal or Dholki (Hindi/Urdu: pipe or tube). It is basically also a dholak that is often a bit narrower in diameter. It’s treble skin is stitched with thread on an iron ring, similar to East Asian Janggu or Shime-daiko drums. This puts the skin into high tension before it is strung. The (Naal) skins are then fitted with a tabla style high pitch syahi. The bass (Naal) skin often has the same made up as in ordinary Dholak (i.e. being fitted on to a a bamboo ring., but sometimes they may have a Kinar and pleated Gajra as seen in tabla to withstand the extra tension while “sarsoon tel masala” is used from the inside (Dholak masala).Naal requires tabla style fingering (Bol). Both styles may have traditional cotton robe lacing and/or a screw system turnbuckle tensioning or even both combined: in the first case steel rings are used for tuning or pegs a twisted inside the laces. Though the dholak is mainly a folk instrument, lacking the exact tuning necessity and playing techniques Bol of the tabla or the pakhawaj, it is widely used in qawwali, kirtan and Bhangra and various styles of North Indian folk and (also South Indian) film music. It was formerly used in classical dances.
The drum is either played on the player’s lap or, while standing, slung from the shoulder or waist or pressed down with one knee while sitting on the floor. The shell is sometimes made from sheesham wood(Dalbergia sissoo) but cheaper dholaks may be made from any wood (mango).Sri Lankan Dholak and Dholki’s are made from hollowed coconut palm stems.The ordinary dholak in Sri Lanka also differ, in that they do not use Dholak masala, but a large fixed tabla style syahi on the middle of bass skin.
A Sri Lankan Dholki (Naal) from a maker in Matara. Sri Lankan Dholki’s are carved of coconut stems and have high quality skins with syahi on both sides. It produces a sound like a very high pitched tabla and requires a simplified tabla fingering (Bol). Steel tuning rings are not used – instead wooden pegs are twisted to create a very high tension. The heads a created with tripple stiching to withstand this sort of tension.Similar Dholkis are in use in Maharashtra and elsewhere.
Heavy hardwood Dholaks are said to produce better sound then those carved of cheap unseasoned sapwood. In some styles of playing (i.e. Punjab an iron thumb ring is used to produced a distingtive “chak” sound when it intermediatly hits the wooden frame next to the high pitch membrane (which is hit by the remaining four fingers). In other styles (i.e.Rajasthan), all fingers are generally used as in Tabla fingering style using tabla bols. The dholak’s high pitch skin is a simple membrane, while the left-hand bass head is of a greater diameter and has a special weightening masala (syahi) from the inside of the skin (from underneath), a mixture of tar, clay/sand (dholak masala) or more often the residue cake of mustard oil pressing process, to which some sand and oil or tar may be added. It lowers the pitch and enables the typical Dholak sliding sound (Giss/Gissa). With passing of time, the oil runs out and stains the bass skin, eventually the masala dries out and pieces may fall off inside the barrel. At this time the skins have to be removed and new Dholak masala is applied to the underside of the skin.If the skin becomes too oily, it is replaced by a new one. In large dholaks, more common known as (Dhol), the high-pitched drum head may also be played using a thin (1/4″/6 mm or less) long (over 14″/30 cm) stick of solid rattan or bamboo slice (rattan is preferred for its flexibility), and the low-pitched drum head is played either by hand or using a somewhat thicker, semi-angled stick, roughly the shape of a small ((hockey bat shaped) stick. The drum is pitched depending on size, with an interval of perhaps a perfect fourth or perfect fifth between the two heads. It is related to the larger Punjabi dhol and the smaller dholki. Similar drums with similar names are found elsewhere in western Asia (Dhaul).
January 13th, 2011 at 6:07 am
The Dholak (Punjabi: ਢੋਲਕੀ, Devnagari: ढोलक sometimes dholki or in Suriname & Holland dhool) is a North Indian, Pakistani and Nepalese double-headed hand-drum Madal. The name Dholki may also refer to a slightly different instrument that uses highpitch tabla style syahi masala on its treble skin. This instrument is also known as Naal or Dholki (Hindi/Urdu: pipe or tube). It is basically also a dholak that is often a bit narrower in diameter. It’s treble skin is stitched with thread on an iron ring, similar to East Asian Janggu or Shime-daiko drums. This puts the skin into high tension before it is strung. The (Naal) skins are then fitted with a tabla style high pitch syahi. The bass (Naal) skin often has the same made up as in ordinary Dholak (i.e. being fitted on to a a bamboo ring., but sometimes they may have a Kinar and pleated Gajra as seen in tabla to withstand the extra tension while “sarsoon tel masala” is used from the inside (Dholak masala).Naal requires tabla style fingering (Bol). Both styles may have traditional cotton robe lacing and/or a screw system turnbuckle tensioning or even both combined: in the first case steel rings are used for tuning or pegs a twisted inside the laces. Though the dholak is mainly a folk instrument, lacking the exact tuning necessity and playing techniques Bol of the tabla or the pakhawaj, it is widely used in qawwali, kirtan and Bhangra and various styles of North Indian folk and (also South Indian) film music. It was formerly used in classical dances.
The drum is either played on the player’s lap or, while standing, slung from the shoulder or waist or pressed down with one knee while sitting on the floor. The shell is sometimes made from sheesham wood(Dalbergia sissoo) but cheaper dholaks may be made from any wood (mango).Sri Lankan Dholak and Dholki’s are made from hollowed coconut palm stems.The ordinary dholak in Sri Lanka also differ, in that they do not use Dholak masala, but a large fixed tabla style syahi on the middle of bass skin.
A Sri Lankan Dholki (Naal) from a maker in Matara. Sri Lankan Dholki’s are carved of coconut stems and have high quality skins with syahi on both sides. It produces a sound like a very high pitched tabla and requires a simplified tabla fingering (Bol). Steel tuning rings are not used – instead wooden pegs are twisted to create a very high tension. The heads a created with tripple stiching to withstand this sort of tension.Similar Dholkis are in use in Maharashtra and elsewhere.
January 13th, 2011 at 6:07 am
Heavy hardwood Dholaks are said to produce better sound then those carved of cheap unseasoned sapwood. In some styles of playing (i.e. Punjab an iron thumb ring is used to produced a distingtive “chak” sound when it intermediatly hits the wooden frame next to the high pitch membrane (which is hit by the remaining four fingers). In other styles (i.e.Rajasthan), all fingers are generally used as in Tabla fingering style using tabla bols. The dholak’s high pitch skin is a simple membrane, while the left-hand bass head is of a greater diameter and has a special weightening masala (syahi) from the inside of the skin (from underneath), a mixture of tar, clay/sand (dholak masala) or more often the residue cake of mustard oil pressing process, to which some sand and oil or tar may be added. It lowers the pitch and enables the typical Dholak sliding sound (Giss/Gissa). With passing of time, the oil runs out and stains the bass skin, eventually the masala dries out and pieces may fall off inside the barrel. At this time the skins have to be removed and new Dholak masala is applied to the underside of the skin.If the skin becomes too oily, it is replaced by a new one. In large dholaks, more common known as (Dhol), the high-pitched drum head may also be played using a thin (1/4″/6 mm or less) long (over 14″/30 cm) stick of solid rattan or bamboo slice (rattan is preferred for its flexibility), and the low-pitched drum head is played either by hand or using a somewhat thicker, semi-angled stick, roughly the shape of a small ((hockey bat shaped) stick. The drum is pitched depending on size, with an interval of perhaps a perfect fourth or perfect fifth between the two heads. It is related to the larger Punjabi dhol and the smaller dholki. Similar drums with similar names are found elsewhere in western Asia (Dhaul).
January 13th, 2011 at 6:08 am
Heavy hardwood Dholaks are said to produce better sound then those carved of cheap unseasoned sapwood. In some styles of playing (i.e. Punjab an iron thumb ring is used to produced a distingtive “chak” sound when it intermediatly hits the wooden frame next to the high pitch membrane (which is hit by the remaining four fingers). In other styles (i.e.Rajasthan), all fingers are generally used as in Tabla fingering style using tabla bols. The dholak’s high pitch skin is a simple membrane, while the left-hand bass head is of a greater diameter and has a special weightening masala (syahi) from the inside of the skin (from underneath), a mixture of tar, clay/sand (dholak masala) or more often the residue cake of mustard oil pressing process, to which some sand and oil or tar may be added. It lowers the pitch and enables the typical Dholak sliding sound (Giss/Gissa). With passing of time, the oil runs out and stains the bass skin, eventually the masala dries out and pieces may fall off inside the barrel. At this time the skins have to be removed and new Dholak masala is applied to the underside of the skin.If the skin becomes too oily, it is replaced by a new one. In large dholaks, more common known as (Dhol), the high-pitched drum head may also be played using a thin (1/4″/6 mm or less) long (over 14″/30 cm) stick of solid rattan or bamboo slice (rattan is preferred for its flexibility), and the low-pitched drum head is played either by hand or using a somewhat thicker, semi-angled stick, roughly the shape of a small ((hockey bat shaped) stick. The drum is pitched depending on size, with an interval of perhaps a perfect fourth or perfect fifth between the two heads. It is related to the larger Punjabi dhol and the smaller dholki. Similar drums with similar names are found elsewhere in western Asia (Dhaul).
Indian children sing and dance to the beat of the dholak during pre-wedding festivities (also known as “Dholki” in many Indian and Pakistani communities. It is often used in Filmi Sangeet – Indian film music, in chutney music, baithak gana, and tan singing, the local Indian music of the Caribbean. It was brought by indentured immigrants to Suriname, Guyana, Trinidad and Tobago, and Jamaica. In the Fiji Islands the dholak is widely used for bhajans and kirtans.
Dholak masters are often also adept at singing or chanting and may often provide a primary entertainment or lead drumming for a dance troupe. Perhaps the most characteristic rhythm played on the “dhol” is a quick double-dotted figure that may be counted in rhythmic solfege as “ONE -tah and -tah TWO -tah and -tah THREE-E (rest on ‘and’) -TAH, FOUR AND” or simply a long string of double-dotted notes, over which the bass side is used for improvisation.
January 17th, 2011 at 1:32 am
Hey Vijay, i found 1 class in vimannagar it is “Sa re ga mma, ganpati chowk, Gera Enclave”.
January 27th, 2011 at 3:26 am
Hi Friends,
I want to learn the guitar please let me know how much they charge for class.
January 29th, 2011 at 2:42 am
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February 1st, 2011 at 5:50 am
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I am staying in Magarpatta. I want to learn the guitar. Please tell me if there is any class in magarpatta or the place near to magarpatta.
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August 12th, 2011 at 3:09 am
A HM lecturer In University of Pune and founder of this academy. He has been playing guitar from last 10 years. Holds Diploma from Calcutta school of music, 8 grades in guitar from Trinity and recently completed his Diploma in music performance from SAM (www.sam.org.in). He learned Carnatic music from Oscar wining Musician Prasanna. He has been awarded as Outstanding Guitarist in SAM for June 2011 Batch. Mastered Jazz, Blues, Rock from Rubens De la Corte & Grammy Award Winning Ede Genero . He has Composed Various Theme Songs for Renowned Company, presently working on various scoring Music for documentary. He is playing for various Bands across the Nation from last 6 years. Call or visit School of rock , Tingernager Lane Num – 5 , 8007341213
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